Walking along the bank above the grey green waters of the Ishikari, running full and fast due to snow melt, I disturbed a fox. It was up ahead, sniffing by a wooden post, tawny-coated below the silver-gold sky of a setting sun. It turned my way then ran down towards the water, a dark blur against the snow, brush tail flouncing.

There it rested beneath a bare branched willow and I saw that there were two. They were larger than I expected and I later read that they were most likely Kitakitsune. I tried to capture them with my iPhone but it was twilight, they were far away and on the move, and after three attempts my phone’s batteries expired and it shut down.

I walked on a little then turned and looked back. They’d stopped running and were standing immobile, heads raised, watching. I resumed my walk with a feeling of loss. It’s unlikely I’ll see those two again. Ahead, the sun dropped below the clouds and a sharp wind picked up dry leaves from the snow at my feet. A solitary Tobi circled high in the sky above.

The Kitakitsune, the Tobi, the fluttering leaves, the roiling river, and me. Nothing else moved in the silent landscape. To my left, the Ishikari flowed swiftly to the north, banks stacked with dirty piles of snow sculpted into strange shapes by wind and sun. To my right, rows of pastel houses, shabby-seeming in the twilight, displayed yellow-glowing windows.

You can walk in a foreign country and forget to see the differences while you tread the unfamiliar city footpaths and unexplored tracks by the river. You can investigate routes through powdery snow or earthy tree litter, while disregarding the strange smells and ignoring the different angle of the sun. You can choose to be in the moment or to let your mind drift away.